“…Willis gave a flawless and emotionally riveting performance…”
— Alexandra Tomalonis, The Washington Post, Washington, DC
“Dignity, intensity and courage were the qualities projected in Willis's stirring performance.”
— Alan M. Kriegsman, The Washington Post, Washington, DC
“…the potent presence and gestural intensity of dancer Willis.”
— Alan M. Kriegsman, The Washington Post, Washington, DC
“…Boris Willis, strong and magnetic…”
— Alan M. Kriegsman, The Washington Post, Washington, DC
“Willis is a powerfully skilled mover with such inordinate control of his body that he appears as if he can float in space.”
— H.B. Kronen, Union News, Becket, MA
“Boris Willis closed the program with his slinky, sensuous ‘Cocteau,’ a duet danced with Cynthia McLaughlin. The suave, handsome couple maintains a serene aura and detached control, even though moments of staccato, and they were mesmerizing throughout.”
“Mansur and Willis stream through hops and weight shifts that build into leaps and lifts.”
— Claire Croft, The Washington Post
“The dance explores the limitations of race as a social construct.”
— Mary Tisa, DanceView Times
“the evening's most mature and assured works”
— Lisa Traiger, DanceView Times, on Cocteau Variations
“Boris Willis carries us into the cyber world for Mu. We enter the work as if traveling in a video game, and encounter dancing, not performed by humans, but by their avatars.”
“Wilkins's ‘Yes’ Men”Sarah Kaufman · The Washington Post · June 25, 2001hjw/Dimensions, Dance Place
“Evening of Spirituals a Heavenly Experience”Joseph McLellan · The Washington Post · June 7, 2001Church of the Annunciation — “City Called Heaven”
“Rare and Well Done: Eric Hampton's Indecent Lack of Exposure”Sarah Kaufman · The Washington Post · March 10, 1997Eric Hampton Dance — “How Do I Love Thee”
“A ‘Publick’ Service”The Washington Post · November 19, 1996Going Publick, Publick Playhouse — “Cocteau Variations”
“‘Stop on a Dime’: A Ballroom Drama”Sarah Kaufman · The Washington Post · March 27, 1995Dianne McIntyre's “I Could Stop on a Dime and Get Ten Cents Change,” George Mason University
“‘Reunion’ of Individuals”Alan M. Kriegsman · The Washington Post · April 13, 1992Liz Lerman Dance Exchange — duet with Lisa Russo
“Lerman's Wonderful Site-Seeing Tour”Alan M. Kriegsman · The Washington Post · December 12, 1991Liz Lerman Dance Exchange, the Kennedy Center
“Lerman's Question”Alan M. Kriegsman · The Washington Post · November 9, 1991Liz Lerman Dance Exchange — “The Good Jew?”
“The Varied Virtuosos”Alan M. Kriegsman · The Washington Post · February 11, 1991Dance Place, Black History Month
“Social Comment Afoot”Alan M. Kriegsman · The Washington Post · January 20, 1990Liz Lerman Dance Exchange — “Slow Run Back”